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一直作(🍅)為(🌠)米路斯．科曼劇(jù )本(📼)鐵(tiě )三角（另(lìng )一位是帕培(péi )錫(xī )(🕸)，也(🔱)是本(běn )片編劇之一）(🎹)成員的(🐉)艾雲．(🍖)巴薩，當然也走低度戲劇路線。同是(🌗)音(🏇)樂家(📼)的彼德(dé )與卡洛(luò )老友重逢，生活狀況大(dà )(👁)不同，你有(yǒu )伴(bàn )侶我(🏐)有家庭，然而都(🎫)有說不出的(de )不明朗，唯有以酒與音樂代替口水。全片(piàn )推展不(bú )問目(mù )(🌚)的(de )(📯)，只在剎那間的意(yì )圖，行行企企比(bǐ )起科曼(màn )更義無(wú )反顧(🏂)，卻(què )有生活淡如(👓)流水的詩意和(⏰)繆(miù )思，叫(🥫)觀(guān )眾(👃)聯想(xiǎng )到二十(shí )年(nián )後的(💠)伊(👺)力．盧馬。巴薩鍾愛音樂的(⚾)程度不(👣)下於(yú )文字和(💝)電影，古典音樂(lè )與(💍)民(🚗)間音樂於全(➡)片迴(🐛)轉迴(⛏)盪，難怪(guài )成了奇斯洛(luò )夫斯基(jī )十(shí )大心(xīn )愛(ài )電(diàn )影(💿)之一(🐡)。 康城影(📛)展青(👌)年評審團(🔷)獎，美國全國影評人(rén )協會(huì )特別(🌂)獎 這部1966年(📞)的珍品，是捷克新浪潮(👗)短暫生(shēng )命中最佳作(zuò )品之一(yī )。成名(❓)音(📬)樂家到小鎮(😉)探訪舊同學，舊同學(⏺)是個窮音樂(🐈)教(jiāo )師，有(yǒu )時在喪禮上吹奏(💛)樂曲。平凡的素(sù )材在(🙅)巴素手裡，變出風趣(qù )復罕見的旋律，一部(bù )憂鬱的(de )喜劇(🐸)，或灰(🏗)色(👔)喜劇。 - Dave Kehr, Chicago Reader (🔂) (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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