前(🈯)身是皇軍(jun1 )軍港(🆓)的(⛲)吳(✒)港,戰後(hòu )成(chéng )為(wéi )船塢工人(rén )(🃏)的生活煉獄。在(zài )(🕰)資本家剝削和枯燥(🆖)生活的雙(shuāng )重煎熬下,躁動的年(nián )輕生命,一(🎲)頭栽進暴力漩渦,延擱(gē )成長,終日(rì )在打(dǎ )鬥、(🎡)賭(🕖)博(🕯)、酗酒中尋(xún )找(🥄)暫時(shí )的麻醉(zuì )。吉田喜重(🎫)通過(🗑)工(gōng )頭(🍮)之(zhī )眼(🙁),對(duì )不合理(🐶)的社(shè )會現實作出欲迎還拒(🌙)的(📎)批判,被(bèi )視為日本新(xīn )浪潮代(dài )表(❔)作(zuò )之(🦗)一。香山美子(🥔)飾演純真的(de )酒館女待,同情工人卻慘(🙀)被(🙉)強姦,正與負的能量,在大時(🚻)代中比拼互(💠)滲,可(kě )有超越對(duì )與(yǔ )錯,是(shì )與非的位(🌮)置?(🗳)片末火車站送別一場,在(🛎)家和社會之間,吉田(tián )喜重作(🐨)出(chū )了(le )左翼的(🌪)選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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